Yıkıntılar ve Ütopik ihtimal / Ahmet Ergenç /Art Unlimited

Merdiven Art Space yeni sezonda kapılarını eşzamanlı olarak iki farklı sergiyle açtı:Bu sergilerden birisi #mebusan25 isimli bağımsız binada Winter is Coming başlığı altında toplanan bir grup seçkisini içeren bir sergiye ev sahipliği yapmakta. Ahmet Ergenç,16.İstanbulBienali paralel etkinlikleri arasında yer alan bu iki sergiden Winter is Coming'e odaklanarak sadece kavramsal değil aynı zamanda "deneyimsel" bir tecrübe sunan sergiyi değerlendirdi.

Yıkıntılar ve ütopik ihtimal adlı sergi yazısına bu link üzerinden ulaşabilirsiniz

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The Language Habitat: an Ecopoetry Manifesto

The Language Habitat: an Ecopoetry Manifesto By James Engelhardt Ecopoetry is connection. It’s a way to engage the world by and through language. This poetry might be wary of language, but at its core believes that language is an evolved ability that comes from our bodies, that is close to the core of who we are in the world. Ecopoetry might borrow strategies and approaches from postmodernism and its off-shoots, depending on the poet and their interests, but the ecopoetic space is not a postmodern space. An ecopoem might play with slippages, but the play will lead to further connections. Ecopoetry does share a space with science. One of the concerns of ecopoetry is non-human nature (it shares this concern with the critical apparatus it borrows from, ecocriticism). It certainly shares that concern with most of the world’s history of poetry: How can we connect with non-human nature that seems so much more, so much larger than ourselves? How can we understand it? One way ...

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Kiel Johnson's Cardboard Twin Lens Reflex Camera Time Lapse from Theo Jemison on Vimeo .

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