N O T H I N G : Preliminary Bibliography Number: 8

Performance’s only life is in the present. Performance cannot be saved, recorded, documented, or otherwise participate in the circulation of representations of representations: Once it does so, it becomes something other than performance. To the degree that performance attempts to enter the economy of reproduction it betrays and lessens the promise of its own ontology. Performance’s being…becomes itself through disappearance.

Peggy Phelan

[Unmarked: The Politics of Performance (London: Routledge, 1993): 146]

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The Language Habitat: an Ecopoetry Manifesto

The Language Habitat: an Ecopoetry Manifesto By James Engelhardt Ecopoetry is connection. It’s a way to engage the world by and through language. This poetry might be wary of language, but at its core believes that language is an evolved ability that comes from our bodies, that is close to the core of who we are in the world. Ecopoetry might borrow strategies and approaches from postmodernism and its off-shoots, depending on the poet and their interests, but the ecopoetic space is not a postmodern space. An ecopoem might play with slippages, but the play will lead to further connections. Ecopoetry does share a space with science. One of the concerns of ecopoetry is non-human nature (it shares this concern with the critical apparatus it borrows from, ecocriticism). It certainly shares that concern with most of the world’s history of poetry: How can we connect with non-human nature that seems so much more, so much larger than ourselves? How can we understand it? One way ...

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Kiel Johnson's Cardboard Twin Lens Reflex Camera Time Lapse from Theo Jemison on Vimeo .

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