Ana içeriğe atla

*TENEFFUS/////



What will happen after you?

“You don’t understand me! When I come to rule as the leader of the partisan’s the whole
country has supported me. This will never happen again.”

(Tito’s reply to the USA minister of external affairs W. Averell Harriman)

“Not because I think that his successors were better but the Tito’s Yugoslavia was just a respiration/breathe. A short hibernation for the massacres, an illusion supported by the western credits, Russian arms and home-made ideological fabrications.”

From the article “How do you know Tito?”

In his works Mehmet is interested in analyzing the history and making interventions in the way it is presented in the official history books and schoolbooks, constantly being aware of the state apparatus that is behind the creation of the official history.

For the trip through the Balkans, he was talking with local people about these issues, until he found old books in Prizren about the Second World War and the Partizan’s involvement between 1943-45. The books illustrate the resistance of the latter Socialists against the Nazi’s. This book was also used as a schoolbook in the Yugoslavian education.

Respiration/ breathe in Turkish language is a notion with double meaning: it’s first meaning is breath/ breathing but it is also the word used for the break in the elementary school. In his work Mehmet is creating complex connections in his attempt of understanding the Yugoslavian era through the schoolbooks he found. He is referring to the quote of seeing
the peace and the prosperity of the state as excess in the continual struggle before and after Tito’s era. In his work, he is creating a historical event by connecting the quotes from Tito and the images of the propaganda schoolbooks with the very personal verse of the lyrics by Lord Byron.

These four books about the most important battles fro the Partizans -Desanti Ne Dervar, Neretva, Kozara and Sutjeska- made him aware of the fear and terror that lies within the official history. He documents the pages that he has selected from these children’s books and juxtaposes them with the last verse of Lord Byron’s poem “When we two parted”: With silence and tears.

Byron is symbolizing the lonely and lyric hero surrounding the Partizan spirit.The conflicts and the bourgeois-patriot attitude in the works of Byron emanates from the contradictions of his sympathy towards the public masses, his hatred towards the feudal
bigotry, his anarchist/individualist attitude and his profound pessimism. He connects the children books with this notion and with the element of a romanticized revolutionary time.

Yorumlar

Bu blogdaki popüler yayınlar

The Language Habitat: an Ecopoetry Manifesto

The Language Habitat: an Ecopoetry Manifesto By James Engelhardt Ecopoetry is connection. It’s a way to engage the world by and through language. This poetry might be wary of language, but at its core believes that language is an evolved ability that comes from our bodies, that is close to the core of who we are in the world. Ecopoetry might borrow strategies and approaches from postmodernism and its off-shoots, depending on the poet and their interests, but the ecopoetic space is not a postmodern space. An ecopoem might play with slippages, but the play will lead to further connections. Ecopoetry does share a space with science. One of the concerns of ecopoetry is non-human nature (it shares this concern with the critical apparatus it borrows from, ecocriticism). It certainly shares that concern with most of the world’s history of poetry: How can we connect with non-human nature that seems so much more, so much larger than ourselves? How can we understand it? One way ...

Art in İsolation Online Exhibition / Santa Clarita

Art in İsolation Exhibition Virtual  Link