''Imminence of desire'' Huseyin Caglayan

.....In his work “Imminence of Desire”, Çağlayan spells out Istanbul’s name given by the cultures which desire the city. And he does it by means of panels and boards we see in airports. The artist believes that the city is always through a continuous flow today as well as in past. In thousands of years, Istanbul had more than 150 names. Every name reflected the bound of that culture with the city. Different cultures at different times protected the city’s identity and claimed what it represented for them.

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The Language Habitat: an Ecopoetry Manifesto

The Language Habitat: an Ecopoetry Manifesto By James Engelhardt Ecopoetry is connection. It’s a way to engage the world by and through language. This poetry might be wary of language, but at its core believes that language is an evolved ability that comes from our bodies, that is close to the core of who we are in the world. Ecopoetry might borrow strategies and approaches from postmodernism and its off-shoots, depending on the poet and their interests, but the ecopoetic space is not a postmodern space. An ecopoem might play with slippages, but the play will lead to further connections. Ecopoetry does share a space with science. One of the concerns of ecopoetry is non-human nature (it shares this concern with the critical apparatus it borrows from, ecocriticism). It certainly shares that concern with most of the world’s history of poetry: How can we connect with non-human nature that seems so much more, so much larger than ourselves? How can we understand it? One way ...

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Kiel Johnson's Cardboard Twin Lens Reflex Camera Time Lapse from Theo Jemison on Vimeo .

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