Ana içeriğe atla

“BU SERGİDİR !”




“BU SERGİDİR !”

... çıkmaz sokaklar, pirili oynayan çocuklar, kapalı kapılar ardında unutulan nesneler, tek edilmiş çürümeye bırakılmış mekanlar, gücü temsil eden nesneler, provoke edilen duygular, dışavurumlar;

Ölçü alabilmek, çarpmak, bölmek, sınırlandırmak, farklılaştırmak,ötekileştirmek, tarihi sindirmek, hazmetmeye zorlanmak, tekdüzeleştirmek, dönüştürmek, yok etmek, ayak sürtmek, toz kaldırmak, toplamak, çıkartmak, yerleştirmek, bozmak, yeni yerleşim teklifleri sunmak, süreç içerisinde neler olabileceğini konusunda soru sormak, sorgulamak, tekrar sorgulamak, tekrarlamak....



Sinem Ertaner/ Yioula Pitsiali/ Ahmet Özgünel/ Uğur Bahçeci/ Ateş Kozal/ Serhat Selışık/ Mustafa Batıbeniz/ Selim Birsel.
Lefkoşa 10 - 15/01/2011

Workshop + Exhibition in Lefkoşa with 7 young artists. A week of tracing the divided city both Turkish and Greek sides.
... dead-end streets, children playing marble, forgotten objects behind closed doors, were the only places left to decay, representing the power of objects, provoking the feelings, expressions;

Measure, multiply, divide, limit, differentiate, the other, digest history, hard digest , convert, destroy, foot rub, to remove dust, collect, remove, place, ruin, to provide a new settlement proposals, in the process of what could happen ask a question, query, query again, repeat ...

Yorumlar

Bu blogdaki popüler yayınlar

The Language Habitat: an Ecopoetry Manifesto

The Language Habitat: an Ecopoetry Manifesto By James Engelhardt Ecopoetry is connection. It’s a way to engage the world by and through language. This poetry might be wary of language, but at its core believes that language is an evolved ability that comes from our bodies, that is close to the core of who we are in the world. Ecopoetry might borrow strategies and approaches from postmodernism and its off-shoots, depending on the poet and their interests, but the ecopoetic space is not a postmodern space. An ecopoem might play with slippages, but the play will lead to further connections. Ecopoetry does share a space with science. One of the concerns of ecopoetry is non-human nature (it shares this concern with the critical apparatus it borrows from, ecocriticism). It certainly shares that concern with most of the world’s history of poetry: How can we connect with non-human nature that seems so much more, so much larger than ourselves? How can we understand it? One way ...

Art in İsolation Online Exhibition / Santa Clarita

Art in İsolation Exhibition Virtual  Link