TRANSLOCATION NEW EXHIBITION

Deconstructing the hidden narratives of the local, a group of artists in residence from Turkey, Germany and the UK present a series of alternative perspectives on the culture, ecology and politics of the city and its surroundings.

Mehmet Dere (derece.blogspot.com)
Rona Rangsch (rangsch.de)
Penny Whitehead and Daniel Simpkins (disruptdominantfrequencies.net)

Preview:
Thursday 3rd December 2009, 7pm onwards
Exhibition continues:
Friday 4th – Sunday 13th December 2009
Opening times:
Monday – Friday 10am – 12noon
Monday and Thursday also open 4pm – 6pm

Atelierhaus Salzamt
Obere Donaulände 15
4020 Linz

Special thanks:clemens kogler,Halil nas,and Dear holger

Yorumlar

Bu blogdaki popüler yayınlar

The Language Habitat: an Ecopoetry Manifesto

The Language Habitat: an Ecopoetry Manifesto By James Engelhardt Ecopoetry is connection. It’s a way to engage the world by and through language. This poetry might be wary of language, but at its core believes that language is an evolved ability that comes from our bodies, that is close to the core of who we are in the world. Ecopoetry might borrow strategies and approaches from postmodernism and its off-shoots, depending on the poet and their interests, but the ecopoetic space is not a postmodern space. An ecopoem might play with slippages, but the play will lead to further connections. Ecopoetry does share a space with science. One of the concerns of ecopoetry is non-human nature (it shares this concern with the critical apparatus it borrows from, ecocriticism). It certainly shares that concern with most of the world’s history of poetry: How can we connect with non-human nature that seems so much more, so much larger than ourselves? How can we understand it? One way ...