Street life, ooh ooh ooh ooh ooh ooh

Gecenin yumusakligiyla havanin kokusunu icine cektiginiz zamanlarda insan yasadigini hissediyor ,bu komplex organizmada ufak bile olsa bir parcasi oldugu icin sukrediyor tabi,ayaklari hizlandiran muzikte bi bu yolculukda yolada kalbede can
veriyor,icinde ki yalnizligi sevebilmeli insan,bu nasil saglanir?bunu yururken dusundum icimdeki muzigi dinliyerek,icimde bir zenci var emin oldum,daha once yasadiysam kesin bir afrikali olabilirim.(eti negro bknz turkish version)
disarida guzel bir yagmur var iceridede iyi muzik.....

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The Language Habitat: an Ecopoetry Manifesto

The Language Habitat: an Ecopoetry Manifesto By James Engelhardt Ecopoetry is connection. It’s a way to engage the world by and through language. This poetry might be wary of language, but at its core believes that language is an evolved ability that comes from our bodies, that is close to the core of who we are in the world. Ecopoetry might borrow strategies and approaches from postmodernism and its off-shoots, depending on the poet and their interests, but the ecopoetic space is not a postmodern space. An ecopoem might play with slippages, but the play will lead to further connections. Ecopoetry does share a space with science. One of the concerns of ecopoetry is non-human nature (it shares this concern with the critical apparatus it borrows from, ecocriticism). It certainly shares that concern with most of the world’s history of poetry: How can we connect with non-human nature that seems so much more, so much larger than ourselves? How can we understand it? One way ...

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isini seven adamlara bayiliyorum

Kiel Johnson's Cardboard Twin Lens Reflex Camera Time Lapse from Theo Jemison on Vimeo .

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