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Sosyal medya da gezinirken tüyapta iki sergi haberi gördüm,içerik metinlerine baktığımda şu an bana epey uzak bir haleti ruhiyede ütopyalar ve distopyalardan bahseden metinler.Çelişkisiz ne dediğinden emin, kırılgan olmayan, sağlam bronzdan.Ben ise hep konuşmak için üretilmiş ,hem söyledikleri anlamlı olmuş insanların kayıp anlamlar cumhuriyetinde belki de bu yüzden sürekli kaybolmaktayım...







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Illustration by Maurice Sendak from Open House for Butterflies by Ruth Krauss
..Jameson writes that in our “contemporary world system,” the image has been
replaced by the simulacrum, and reality by the pseudoevent. In terms of culture, we have lost the “critical distance” that modernism presumed—we no longer have “the possibility of the positioning of the cultural act outside the massive Being of capital.” “Aesthetic production today has become integrated into commodity production generally.” In Warhol’s Factory, aesthetic production became commodity production. The Factory was rather like the pre-automated factories of his hometown Pittsburgh—Caroline Jones refers to it as a “pre-Taylorized collective.”..