Ana içeriğe atla
"I STARTED MAKING MAPS WHEN I WAS SMALL 
SHOWING PLACE, RESOURCES, WHERE THE ENEMY 
AND WHERE LOVE LAY. I DID NOT KNOW 
TIME ADDS TO LAND. EVENTS DRIFT CONTINUALLY DOWN, 
EFFACING LANDMARKS, RAISING THE LEVEL, LIKE SNOW.
I HAVE GROWN UP. MY MAPS ARE OUT OF DATE. 
THE LANDS LIES OVER ME NOW. 
I CANNOT MOVE. IT IS TIME TO GO.”

-Alasdair GrayLanark

Yorumlar

Bu blogdaki popüler yayınlar

Illustration by Maurice Sendak from Open House for Butterflies by Ruth Krauss
..Jameson writes that in our “contemporary world system,” the image has been
replaced by the simulacrum, and reality by the pseudoevent. In terms of culture, we have lost the “critical distance” that modernism presumed—we no longer have “the possibility of the positioning of the cultural act outside the massive Being of capital.” “Aesthetic production today has become integrated into commodity production generally.” In Warhol’s Factory, aesthetic production became commodity production. The Factory was rather like the pre-automated factories of his hometown Pittsburgh—Caroline Jones refers to it as a “pre-Taylorized collective.”..

( )

M.Dere/Collage "Poetry for radical democracy"