Sofra ; geneleksel olarak oturulan yasanan bir cografyayi temsil eder.Etrafinda oturulur birlikte yemek yenir,yaygin inanisin disinda bilinen gercek vatan dogdugun yer degil doydugun yerdir.Turkiyede bu soz bir kalip olarak cok kullanilir.Yuzey olarak sofranin uzerinde bulunan kafatasi ile birlikte tahta yuzey çöle, gozundeki kurt ise payini bekleyen ac kurda gonderme yapar.
The dinning tablerepresents a common, traditional geography of life. People gather around it, sit together, and eat. The truth is that “your homeland is not where you are born but where you eat”. In Turkey, this is an often used, boilerplate saying. The skull and the wood surface of the dining table refer to the desert, while the wolf inside the skull’s eye is a reference to “the hungry wolf that awaits its share”.
..Jameson writes that in our “contemporary world system,” the image has been replaced by the simulacrum, and reality by the pseudoevent. In terms of culture, we have lost the “critical distance” that modernism presumed—we no longer have “the possibility of the positioning of the cultural act outside the massive Being of capital.” “Aesthetic production today has become integrated into commodity production generally.” In Warhol’s Factory, aesthetic production became commodity production. The Factory was rather like the pre-automated factories of his hometown Pittsburgh—Caroline Jones refers to it as a “pre-Taylorized collective.”..