Ana içeriğe atla

100 Curators Collection Founder Sikkema Jenkins & Co


100 Curators Collection
Founder
Sikkema Jenkins & Co
Guest Curator


Brent Sikkema began his gallery work in 1971 as Director of Exhibitions at the Visual Studies Workshop in Rochester, NY. He opened his first gallery in 1976 in Boston, MA, specializing in photography. In 1991, after moving to New York, Sikkema opened a contemporary art gallery on Wooster Street in Soho called Wooster Gardens.

The gallery moved to the Chelsea arts district in early 1999 and a few years later the name was changed to Sikkema Jenkins & Co. The gallery exhibits work in a variety of media including painting, drawing, installation, photography and sculpture. The gallery represents a group of prominent artists including Mark Bradford, Arturo Herrera, Vik Muniz, Shahzia Sikander, Amy Sillman and Kara Walker.




About This Collection

Description: '100 Curators 100 Days' is a major initiative that recognizes talented emerging artists from around the world. It was developed by Rebecca Wilson, Director of the Saatchi Gallery, London and is the inaugural exhibit under the helm of Saatchi Online's new CEO, Margo Spiritus. Each day for 100 days, work selected by curators from the world's most prestigious museums and galleries will be revealed. [less]

Date Created: July 18, 2012

Follow this Link

Yorumlar

Bu blogdaki popüler yayınlar

The Language Habitat: an Ecopoetry Manifesto

The Language Habitat: an Ecopoetry Manifesto By James Engelhardt Ecopoetry is connection. It’s a way to engage the world by and through language. This poetry might be wary of language, but at its core believes that language is an evolved ability that comes from our bodies, that is close to the core of who we are in the world. Ecopoetry might borrow strategies and approaches from postmodernism and its off-shoots, depending on the poet and their interests, but the ecopoetic space is not a postmodern space. An ecopoem might play with slippages, but the play will lead to further connections. Ecopoetry does share a space with science. One of the concerns of ecopoetry is non-human nature (it shares this concern with the critical apparatus it borrows from, ecocriticism). It certainly shares that concern with most of the world’s history of poetry: How can we connect with non-human nature that seems so much more, so much larger than ourselves? How can we understan

Ağaçların Kokusu Sergi Metni

Kwahulé'nin tiyatro metinleri bir çok iç içe geçen alandan oluşan parçalanmanın nitelikleriyle birleşerek kendini kurar. Kwahulé'nin metinlerinde yaşadığı Afrika’daki iç savaşın dehşetini   Avrupa’da yaşayan Afrika kökenli halkların diasporik olarak tariflenebilecek “Yeni Dünya” olarak nitelendirilebilen , bir deneyime, psişik bir uzama gönderme yapar. Örneğin Bira fabrikası, anlatım tarzı olarak Kwahulé'nin karakterleri, caz müziğinin doğaçlama nabzını rezonans eden riff’ler ve rötuşlarla konuşmaktadır. Metinlerinde Afrika’ya verilen hasarı temsil eden şiddetli bir dünyayla yüzleşmeyi görünür hale getirmek için abartı ve gerçeküstü dokunuşlar yoluyla, giderek genişleyen bir küresel göçmen sorunsalına gerçekliğini ötekileştirmeden mercek altına alır .Oyunlarının tematik bağlamı, , yoksulluk, sürgün kapitalist açgözlülük, çarpışma ve “ötekinden” korkma - yani “ötekinin” ne şekilde tanımlandığı ile ilişkili bir bütüne gönderme yapar. İnsanın doğa ü

Jaamzin Magazin Featured by Mehmet Dere

JaamZIN Creative Studio is an online social media agency established in 2017 by Zin and Zannnie in Singapore. ​We feature creative people, emerging and established  contemporary artists in our online and print magazine. https://www.jaamzin.com/post/designer-mehmet-dere