"Big Difference in a Small World"

Thank you for your contribution to "Big Difference in a Small World"

Dear Contributing Artist Mehmet:

Thank you for contributing your artwork towards this publication, titled “Big Difference in a Small World”. We are honored to feature your beautiful work in this publication.

Having worked in the role of art director on this publication, I have nothing but deep gratitude and admiration for your work and generosity.

Thank you once again. Be well, and all the very best!

Warmest regards,
Desmond Kon Zhicheng-Mingdé

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The Language Habitat: an Ecopoetry Manifesto

The Language Habitat: an Ecopoetry Manifesto By James Engelhardt Ecopoetry is connection. It’s a way to engage the world by and through language. This poetry might be wary of language, but at its core believes that language is an evolved ability that comes from our bodies, that is close to the core of who we are in the world. Ecopoetry might borrow strategies and approaches from postmodernism and its off-shoots, depending on the poet and their interests, but the ecopoetic space is not a postmodern space. An ecopoem might play with slippages, but the play will lead to further connections. Ecopoetry does share a space with science. One of the concerns of ecopoetry is non-human nature (it shares this concern with the critical apparatus it borrows from, ecocriticism). It certainly shares that concern with most of the world’s history of poetry: How can we connect with non-human nature that seems so much more, so much larger than ourselves? How can we understand it? One way ...

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Kiel Johnson's Cardboard Twin Lens Reflex Camera Time Lapse from Theo Jemison on Vimeo .

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