This sphere is my world.I reach any other cırcles from the this sphere-from the my neighboorhood to my city,from my city to the land where ı live.I belive ın angles;as a matter of fact only the angles exist.I collect them.I do not scrutınıze one as agaınst to the other,but how they exist in spite of each other than togetherness. I used to utilize my blog to email my works,then I started to share everything what I experienced,witnessed and collected.This did not happen all at once,but transformed in itself in the course of time.With several interventions,objects,people,potraits and writings,I document along with producing.I know that everyone of us need to depict his/her own story,and listen to others's.This is the very purpose and poınt of departure(angle) of mıne.I response to the world like this whenever I fınd myself at the door of a paradox.Let the sound come ın,then think and desire...Your choice will accompany;feeling something is lovely..
The Language Habitat: an Ecopoetry Manifesto By James Engelhardt Ecopoetry is connection. It’s a way to engage the world by and through language. This poetry might be wary of language, but at its core believes that language is an evolved ability that comes from our bodies, that is close to the core of who we are in the world. Ecopoetry might borrow strategies and approaches from postmodernism and its off-shoots, depending on the poet and their interests, but the ecopoetic space is not a postmodern space. An ecopoem might play with slippages, but the play will lead to further connections. Ecopoetry does share a space with science. One of the concerns of ecopoetry is non-human nature (it shares this concern with the critical apparatus it borrows from, ecocriticism). It certainly shares that concern with most of the world’s history of poetry: How can we connect with non-human nature that seems so much more, so much larger than ourselves? How can we understand it? One way
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